Recording, Mixing and Post-Production
Pauline has worked as a recordist for outlets such as Marketplace, BuzzFeed, Gimlet Media, The Public Theater, KQED's The California Report, and the Canadian Broadcasting Company. She has worked as a live recordist for classical and "new" music. She has recorded sound for picture and live mixed for Rosewood Sound. She has full, professional grade location gear, including Sound Devices recorders, DPA lavaliers, and Schoeps mics.
She is a deeply experienced dialogue editor, both for film and animation with expertise in noise-reduction. She uses the iZotope RX5 Advanced Suite with Oxford, Lexicon, and Waves mastering plugins.
Pauline Gloss is also an expert audiobook editor, QC and post-production engineer. She has several hundred audiobooks to her credit, two Audie-finalist nominations and two AudioFile Magazine Earphones awards.
She was the sole editor and post-production sound engineer on the twice Audie-finalist-nominated reading of “Frankenstein,” by Dan Stevens of Downton Abbey. She has also edited and produced audiobooks narrated by Frank DeFord, Robert MacNeil, Barbara Rosenblat, Amy Rubinate and Christa Lewis.
Some Broadcast Work (Recordist):
Live Classical / New Music (Mixer and Recordist):
Automata's Group Work show
Sound For Picture (Mixer and Recordist)
Heat by Nicolas Bermeo, video art (sound design and co-production)
Some Audiobook Work
sound [at] paulinegloss.com for rates and projects